1895 Winterthur
Actual 45 mm size by Georges Hantz, Genf / H. Wildermuth, Winterthur.
Obverse.
The beauteous Maiden, a resplendent embodiment of Winterthur city, is seated with graceful poise upon the grand veranda of the Semper Stadthaus, that venerable Great Town Hall which stands as a testament to the city's proud heritage. From her elevated perch, she surveys the magnificent spectacle of the shooting arena, where the Federal Grand Schützenfest unfolds in Mattenbach, a celebration of skill, camaraderie, and tradition that draws the eager gaze of many a devoted citizen.
Her gaze turns eastward, a direction imbued with both hope and longing, as she extends her delicate hand to grasp an olive branch—a timeless symbol of peace and goodwill. This gesture betrays her deep yearning for harmony among all, a fervent wish that transcends the trials of the present and reaches towards a future where the bonds of brotherhood flourish unimpeded.
Above her, the Confederate Cross radiates with stylized rays, each beam diverging brilliantly in all directions, an emblem of the everlasting protection and the cherished freedoms bestowed by the Confederation. This luminous display serves as a reminder to all who witness it that the ideals of independence and unity are ever within reach, illuminated by the spirit of cooperation that binds the cantons together.
In the far distance, yonder stands the majestic Mount Hörnli, a steadfast sentinel that watches over the historic cities of Winterthur and Zürich. Its towering form, clothed in the serene white of ancient snows and the rich greens of resilient flora, stands as both protector and defender of its people. The mountain's silent presence resonates with the strength and endurance of the land, embodying the unwavering spirit of the Swiss people through the ages.
Thus, in this splendid tableau, the Maiden of Winterthur encapsulates the aspirations and dreams of her city, her serene countenance a reflection of the collective hopes for peace, unity, and triumph that resonate throughout the valleys and hills, echoing the profound legacy of the Confederation. Her position upon the grand veranda not only signifies her noble heritage but also underscores her commitment to fostering a future where harmony reigns and the spirit of the Schützenfest is celebrated in all its glory.
Reverse.
The champions’ garland, a resplendent circle of laurel and oaken leaves, lovingly encircles the hallowed historical monuments of Grossmünster, that venerable Romanesque-style Protestant church, its twin towers reaching majestically towards the heavens. This architectural marvel, with its weathered stones steeped in tales of faith and endurance, stands as a proud sentinel over the cityscape rooftops of Old Zürich, witnessing the passage of time and the ebb and flow of countless generations.
Beside this grand edifice, the revered Fraumünster, or Women's Minster, rises elegantly, its own towers piercing the sky, a symbol of spiritual grace and fortitude. The delicate stained glass that adorns its windows glimmers in the sunlight, casting a kaleidoscope of colors that dance upon the cobblestones below, whispering stories of those who have sought solace within its walls.
Above this champions’ garland of glory, a traditional crossbow takes pride of place, a noble reminder of Wilhelm Tell’s legacy. This weapon, steeped in legend and valor, embodies the spirit of freedom and defiance against tyranny, its sturdy form resting confidently as it gazes down upon the festivities below, a testament to the courage and skill of sharpshooters who honor the traditions of yore.
On the left, an intricately sculptured bust of Venus graces the scene, her visage radiating beauty and grace, declaring the lush and fertile lands of Zürich that have long flourished under her benevolent gaze. Her gentle features are imbued with a sense of nurturing, symbolizing the city’s eternal growth and prosperity, as she stands as a guardian of the verdant fields and thriving orchards that surround the urban landscape.
To the right, an immaculately sculptured bust of Mercury, the swift and cunning god of commerce, portrays industrious enterprise and the bustling trade that characterizes the city. His features are sharp and alert, embodying the abundant wealth that flows through the marketplaces of Zürich, where merchants and artisans ply their crafts with unyielding fervor. Together, these busts reflect the dual nature of the city—a harmonious blend of natural beauty and thriving industry, each contributing to the rich tapestry of life that unfolds beneath the watchful eyes of the monumental churches.
Thus, this grand tableau, adorned with symbols of valor, growth, and prosperity, encapsulates the spirit of Zürich, a city that stands resolute in its heritage while embracing the promise of the future. The champions’ garland, a crown of glory for those who excel in the art of marksmanship, binds together the threads of history, culture, and aspiration, celebrating the enduring legacy of a community united in both spirit and achievement.
Background.
On 1 May 1351, the citizens of Zürich had to swear allegiance before representatives of the cantons of Lucerne, Schwyz, Uri and Unterwalden, the other members of the Swiss Confederacy. Thus, Zürich became the fifth member of the Confederacy, which was at that time a loose confederation of de facto independent states. Zürich was the presiding canton of the Diet from 1468 to 1519. This authority was the executive council and lawmaking body of the confederacy, from the Middle Ages until the establishment of the Swiss federal state in 1848. Zürich was temporarily expelled from the confederacy in 1440 due to a war with the other member states over the territory of Toggenburg (the Old Zürich War). Neither side had attained significant victory when peace was agreed upon in 1446, and Zürich was readmitted to the confederation in 1450.
Zürich was the Federal capital for 1839–40, and consequently, the victory of the Conservative party there in 1839 caused a great stir throughout Switzerland. But when in 1845 the Radicals regained power at Zürich, which was again the Federal capital for 1845–46, Zürich took the lead in opposing the Sonderbund cantons. Following the Sonderbund war and the formation of the Swiss Federal State, Zürich voted in favour of the Federal constitutions of 1848 and of 1874.
In 1893, the twelve outlying districts were incorporated into Zürich, including Aussersihl, the workman's quarter on the left bank of the Sihl, and additional land was reclaimed from Lake Zürich.
Winterthur
Hartmann III of Dillingen founded Winterthur city, in 1180, shortly before his death in the same year. From 1180 to 1263, the cadet line of the House of Kyburg ruled Winterthur. When the counts of Kyburg became extinct in the male line in 1263, Winterthur passed to the House of Habsburg, who established a comital line of Neu-Kyburg in 1264 and granted city rights to Winterthur in the same year. From 1415 until 1442 Winterthur was reichsfrei (subject only to the Holy Roman Emperor). However, in the Old Zürich War they lost this freedom and came back under the control of the Austrian Habsburgs. Needing money, in 1467, the Habsburgs sold Winterthur to the city of Zürich.
Semper Stadthaus (Winterthur)
In 1863 Winterthur, governed by the democrats, decided to build a representative townhouse. The project of architect Semper was built from 1865 to 1869. On October 30, 1870, the first town hall meeting took place in today's concert hall. City architect Karl Wilhelm Bareiss built the forecourt with the classicist town house, in 1871.
In celebration of the Grand Schützenfest held in 1895 in the illustrious city of Winterthur in the Canton of Zurich.